Richard Strauss: Elektra
Violeta Urmana, Klytämnestra
Aušriné Stundyté, Elektra
Jennifer Holloway, Chrysothemis
Wolfgang Ablinger-Sperrhacke, Aegisth
Kyle Ketelsen, Orest
Chao Deng, Pfleger des Orest
Marie Maidowski, Schleppträgerin
Oleksiy Palchykov, Junger Diener
William Desbiens, Alter Diener
Katja Pieweck, Aufseherin
Michal Doron, Erste Magd
Ida Aldrian, Zweite Magd
Kady Evanyshyn, Dritte Magd
Eliza Boom, Vierte Magd
Hellen Kwon, Fünte Magd
Anja Bihlmaier, conductor
Dmitri Tcherniakov, director and set design
Thorsten Cölle, assistant director
Elena Zaytseva, costumes
Gleb Filshtinsky, lighting design
Tieni Burkhalter, video
Tatiana Werestchagina, dramaturgy
Philharmonisches Staatsorchester Hamburg
Bernarda Fink works with Young Artists in several masterclasses during the Leeds Song Festival. One of the most sought-after singers of her time and celebrated for her musical versatility, she has performed in the world’s most prestigious concert halls and opera houses and has amassed a discography of over 50 recordings. In this first masterclass of the Festival, Bernarda Fink will offer her experience and expertise as she joins Leeds Song Young Artists, duos selected from across the globe, as they explore a selection of song repertoire.
FURTHER INFORMATIONS & TICKETSJulian Prégardien, tenor
Eloïse Bella Kohn, piano
Philipp Lossau, set design
Note
Recommended for adults with babies
Julian Prégardien, tenor
Eloïse Bella Kohn, piano
Philipp Lossau, set design
Note
Recommended for adults with babies
Joseph Haydn: Symphony in E flat major, Hob. I:91
Dov’è l’amato bene? … Del mio core. Recitative and cavatina of Euridice from the opera ‘Lʼanima del filosofo ossia Orfeo ed Euridice’, Hob. XXVIII:13
Che fu mai quel ch’io vidi! ... Fra un dolce deliro. Recitative and aria by Silvia from the opera “L’isola disabitata”, Hob. XXVIII:7
Come il vapor s’accende. Aria by Silvia from the opera “L’isola disabitata”, Hob. XXVIII:7
– Intermission –
Joseph Haydn: Ah, non ferir: t’arresta. Aria by Armida from the opera of the same name, Hob. XXVIII:12
Symphony in C major, Hob. I:97
Nikola Hillebrand, soprano
Basel Chamber Orchestra
Giovanni Antonini, conductor
Il Giardino Armonico
Pascal Dusapin: Penthesilea
Katrin Wundsam, Penthesilea
Olga Jelínková, Prothoe
Peter Schöne, Achilles
Yannick Spanier, Odysseus
Anthea Barac, High Priestess
Juhyeon Kim, Messenger
Stephan Zilias, conductor
Hanover State Opera Choir
Niedersächsisches Staatsorchester Hannover
Lorenzo Fioroni, staging
Sabine Blickenstorfer, costumes
Isabel Robson, video design
Daniel Menne, dramaturgy
Giacomo Puccini: Madama Butterfly
Barno Ismatullaeva, Cio-Cio-San
Ida Aldrian, Suzuki
Aebh Kelly, Kate Pinkerton
Atalla Ayan, Pinkerton
Kartal Karagedik, Sharpless
Daniel Kluge, Goro
William Desbiens, Il Principe Yamadori
Tigran Martirossian, lo zio Bonzo
Alexander Joel, conductor
Vincent Boussard, director
Vincent Lemaire, set designer
Christian Lacroix, costume designer
Guido Levi, lighting designer
Barbara Weigel, dramaturgy
Alice Meregaglia, choirmaster
Philharmonisches Staatsorchester Hamburg
Chor der Hamburgischen Staatsoper
Antonio Vivaldi: Il Giustino
Christophe Dumaux, Giustino
Olivia Vermeulen, Anastasio
Katharyna Kasper, Arianna
Robin Johannsen, Leocasta
Siyabonga Maqungo, Vitaliano
Kristina Hammarström, Andronico
Mark Milhofer, Amanzio
Francesc Ortega i Martí, Polidarte
René Jacobs, conductor
Freiburg Baroque Orchestra
Kaija Saariaho: Song for Betty (2001) (EA)
Gustav Mahler: Fünf Lieder nach Gedichten von Friedrich Rückert
Kaija Saariaho: Lumière et pesanteur (2009) (EA)
Modest Mussorgski: Bilder einer Ausstellung (Instrumentierung: Maurice Ravel)
ORF Radio-Symphonieorchester Wien
Julian Prégardien, Tenor
Cornelius Meister, Conductor
Benjamin Britten: The Turn of the Screw
Stephan Rügamer, Prolog, Peter Quint
Christiane Karg, Governess
Nicolò Balducci, Miles
Regina Koncz, Flora
Rosie Aldridge, Mrs. Grose
Anna Samuil, Fräulein Jessel
Staatskapelle Berlin
Finnegan Downie Dear, Musical Direction
Claus Guth, Stage Direction
Christian Schmidt, Stage & Costumes
Sebastian Alphons, Light